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A History of the French Novel, Vol. 1

Note 36 — Chapter II

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The early Sir Lancelot and Queen Guinevere, though only external, is perfect. Many touches in the Idylls other than the title-one are suitable and even subtle; but the convertite in that one is (as they say now) "unconvincing." The simpler attitude of the rejection of Lancelot in the verse Morte and in Malory is infinitely better. As for Morris's two pieces, they could hardly be better in themselves as poems—but they are scarcely great on the novel side.

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