Note 59 — Chapter XII

It is also through a Hittite medium that we may possibly trace a connection between the composite monsters of Babylonian and Minoan art; see Sayce, op. cit., p. 180. It should be noted, however, that, although the idea underlying the designs upon the Zakro sealings may be of foreign origin, the development of the variant types of many of the monster forms was purely local and confined to a single period (cf. Hogarth, "Journal of Hellenic Studies," Vol. XXII., p. 91). Moreover, the bull-monsters, or "Minotaurs," of Aegean art were obviously derived from the local cult of Knossos; in the winged and bird-like types Cappadocian influence is more probable.