Note 123 — Chapter V · EMANCIPATION OF LIVIUS ANDRONICUS—HIS IMITATION OF THE ODYSSEY—NEW KIND OF SCENIC EXHIBITIONS—FIRST EXHIBITION OF HIS DRAMAS—NÆVIUS A POLITICAL PARTISAN—HIS BITTERNESS—HIS PUNIC WAR—HIS NATIONALITY—HIS VERSIFICATION.
Reading edition
Roman critics divide comedy into Comœdia Palliata, in which the characters, and therefore the costume, were Greek; and Togata, in which they were Roman. Comœdia Togata was again subdivided into Trabeata, or genteel comedy, and Tabernaria, or low comedy. The Fabulæ Prætextatæ were historical plays, like those of Shakspeare.