Note 90 — Chapter IX · THE REALISTS AND ECLECTICS
Reading edition
The Carracci. The fundamental source is Carlo Cesare Malvasia’s highly contentious and anecdotal work Felsina Pittrice; I have used the two volume edition, Milan, 1841.
Gabriel Rouchès, La Peinture Bolonaise à la Fin du XVIe Siècle, Paris, 1913, is the standard work on the Eclectic School. On the landscape of this school, which is highly important as preparatory to Claude and Poussin, Rouchès has two remarkable essays in Gazette des Beaux Arts, 5e période Tome, III. (Jan. and Feb. nos. 1921) pp. 7 ff., and 119 ff.
Hans Tietze, in Austrian Jahrbuch, Vol. XXVI (1906) p. 51 ff., Annibale 488Carracci’s Galerie im Palazzo Farnese und seine Römische Werkstätte—a very thorough and richly illustrated monograph on the Carracci, including such scholars as Francesco Albani, and Domenichino.