Note 78 — Chapter VIII · VENETIAN PAINTING OF THE RENAISSANCE

Titian. Crowe and Cavalcaselle’s The Life and Times of Titian, in 2 vols., London, 1881, is still the fullest repository of information. Georg Gronau’s popular but carefully done Titian, London and New York, 1904, takes account of later documentary discoveries. As a painter’s analysis of technical aims Charles Rickett’s Titian, London, 1910, is noteworthy. Nearly all of Titian’s works are published in Klassiker der Kunst, No. III, Stuttgart, 1906. Several newly discovered pictures are reproduced in the recent volumes, 1918–22, of the Burlington Magazine, Art in America, and Zeitschrift für bildende Kunst.