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A history of Italian painting

Note 23 — Chapter II · SIENA AND THE CONTINUING OF THE MEDIÆVAL STYLE

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Venturi, Vol. V, pp. 680–694, offers a sensible compromise view of the authorship of this series, assigning to Pietro himself only the Deposition, Entombment, Stigmatization of St. Francis and a Madonna and Saints, ascribing most of the subjects to an assistant. Dr. Ernest Dewald in a forthcoming Princeton dissertation takes a more skeptical view than Venturi as to Pietro’s presence at Assisi.

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