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A history of Italian painting

Note 24 — Chapter II · SIENA AND THE CONTINUING OF THE MEDIÆVAL STYLE

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However the “Cecelia Master,” active about 1300, deals ably with such spatial problems. See O. Sirén, Burlington Magazine, Vol. XXXIV, p. 234, and XXXVI, p. 4. and Giotto, plates 11–13, Vol. II.

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