Note 362 — JUGGLERS, ROPE-DANCERS, AUTOMATA, ETC.

[Speaking Automaton.—There is a piece of mechanism now exhibiting to the public at the Egyptian Hall—the work of Professor Faber, of Vienna, and the result, as he states, of twenty-five years of labour and preparation. The name which he has given to this product of his ingenuity is the Euphonia; and the work, as that name implies, is another of those many combinations which have attempted, by the anatomical and physiological study of the structures that contribute to the human voice, to attain to an imitation of that organ as regards both sound and articulation. As an example of inductive and mechanical skill this exhibition is well deserving of attention. The professor himself, by an arrangement of bellows-pipes, pedal and keys, which he plays somewhat like the keys of a piano, prompts the discourse of his automaton; which certainly does enunciate both sounds and words. When we entered the room we found it singing to a select society. It requires all our sense of the ingenuity and perseverance which have been bestowed on the work to induce our assent to the proposition which calls the voice human; but undoubtedly it is a remarkable result of contriving skill and scientific patience.—Athæneum.]