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A History of Elizabethan Literature

Note 61 — Chapter X

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Since this book first appeared, some persons whose judgment I respect have expressed to me surprise and regret that I have not given a higher and larger place to Henry Vaughan. A higher I cannot give, because I think him, despite the extreme beauty of his thought and (more rarely) of his expression, a most imperfect poet; nor a larger, because that would involve a critical arguing out of the matter, which would be unsuitable to the plan and scale of this book. Had he oftener written as he wrote in the famous poem referred to in the text, or as in the magnificent opening of "The World"—

"I saw Eternity the other night, Like a great ring of pure and endless light, All calm as it was bright,"

there would be much more to say of him. But he is not master of the expression suitable to his noble and precious thought except in the briefest bursts—bursts compared to which even Crashaw's are sustained and methodical. His admirers claim for "The Retreat" the germ of Wordsworth's great ode, but if any one will compare the two he will hardly complain that Vaughan has too little space here.

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