Note 598 — Chapter III · THE FOURTEENTH AND FIFTEENTH CENTURIES.
Reading edition
Deschamps, a far more exclusively bookish person than Froissart, and one who has even left us, in his elaborate Art de Dittier, not the least remarkable of the formal “Poetics” referred to above, is no more of a critic in any true sense than Froissart himself—not nearly so much as Sidonius or Eberhard.