A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism

Note 322 — Chapter II · THE CONTEMPORARIES OF QUINTILIAN.

Reading edition

I think intactam insinuates this. But it may only mean that the play was produced “for the first time on any stage,” though this seems feebler. Some would have it that Paris, as being a pantomime, was to travesty the thing.

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