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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism

Note 228 — Chapter V · DIONYSIUS OF HALICARNASSUS, PLUTARCH, LUCIAN, LONGINUS.

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It may, however, be plausibly argued that the circle is more apparent than real, resulting from a kind of ambiguity in the word πηγαί. If Longinus had slightly altered his expression, so as to make it something of this kind, “There are five points [or ways, or aspects] in which ὕψος may be attained, thought, feeling, ‘figure,’ diction, and composition,” he would be much less vulnerable. And, after all, this is probably what he meant.

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