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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism

Note 56 — Chapter III · ARISTOTLE.

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And yet the “corruption” which dogs “the best” followed on this also. For it was on this dictum that false classicism based its doctrine that the poet ought not to count the streaks of the tulip—that he must conventionalise and be general.

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