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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 983 — Chapter III · ENGLISH CRITICISM—1860-1900.

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I have always wondered what made him think that I personally prefer plain to ornate prose. The contrary, if it were of any moment, happens to be the case, though I own I think, as even De Quincey thought, that the ornate styles are not styles of all work.

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