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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 1006 — Chapter III · ENGLISH CRITICISM—1860-1900. (continued 2)

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I do not take special notice of R. L. Stevenson here, because his criticism, in any formal shape, belongs mainly to the earlier and tentative stage of his work, and never, to my fancy, had much fixity or grip, interesting and stimulating as it is. I ventured to tell him, when I met him first, after the appearance of The New Arabian Nights in London, that here was Apollo waiting for him, not there: and I hold to the view. Others, such as Mr Henley (with whom also I rowed in that galley—a tight and saucy one, if not exactly a galère capitaine), Mr Robert Buchanan, Sir Leslie Stephen, Prof. Bain, have passed away too recently; and yet others must fall into the numerus.

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