← Table of contents
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 777 — Chapter III · GOETHE AND HIS CONTEMPORARIES.

Reading edition

I should think better of the criticism of Germany if it did not habitually speak of “Romeo und Julia.” In the first place, it is surely common good manners not to alter an author’s title—though you may abbreviate it. In the second, which is more important, the change argues an æsthetic and gynæcologic callousness. Julia and Juliet are quite different persons.

Explore with AITake your curiosity a little further.

Reading settings