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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 599 — Chapter II · MIL-HUIT-CENT-TRENTE.

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I wonder whether Mr Arnold got “Stagirius” from Sainte-Beuve, or direct from Saint-Marc Girardin, who seems to have extracted him originally from the Golden-mouth? So, too, did Sohrab and Rustum come from the “Firdousi” article? These interesting suggestions of suggestion—as interesting as the ordinary plagiarism and parallel-passage inquiries of bad and dull critics, are dull and bad—occur with Sainte-Beuve more often than with almost any man.

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