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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 585 — Chapter II · MIL-HUIT-CENT-TRENTE.

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He himself put it earlier—at 1840 or thereabouts. No doubt, as I have said above, the essays of the ’Forties as a whole do show a great advance. But I hardly recognise the full Sainte-Beuve before, say, the “Daunou” and the “Leopardi” of 1844.

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