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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 414 — Chapter I · WORDSWORTH AND COLERIDGE: THEIR COMPANIONS AND ADVERSARIES.

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I.e., “The faculty which makes many into one”—the creative imagination. This form is much better than “esemplastic,” which Coleridge adopts in the Biographia, for there one stumbles over the second syllable, and supposes it to be the preposition ἐν.

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