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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 363 — Chapter I · WORDSWORTH AND COLERIDGE: THEIR COMPANIONS AND ADVERSARIES.

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Chap. xxi. Personality, partisanship, haphazard, garbling, caricature in selection of instances, are the chief faults that Coleridge finds with both Edinburgh and Quarterly. The reply is dignified in tone and not unjust; but, like other things of the same kind, it illustrates certain permanent weaknesses of human nature. All the faults, I think, which Coleridge finds with “Blue and Yellow” and “Buff” reviewing might be found with his own critique of Maturin’s Bertram, printed in this very volume. All these faults certainly found by every generation of authors with their critics, even when these authors happen to have been copious and constant writers of criticism themselves. Always is the author tempted, like Mr Baxter, to cry, “Ah, but I was in the right, and these men are dreadfully in the wrong”; always does he think, like the Archbishop of Granada, that the incriminated part of his sermon is exactly the best part; always, when he bewails the absence of the just and impartial critics of other times, does he forget the wise ejaculation of Mr Rigmarole, “Pretty much like our own, I fancy!” (There is no mental reservation in these remarks.)

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