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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 541 — Chapter I · WORDSWORTH AND COLERIDGE: THEIR COMPANIONS AND ADVERSARIES. (continued 2)

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It has been suggested to me that Byron ought to have the benefit, as well as the disadvantage, of my description of Keats’s critical utterances on the other side, as a phase of his creation. There is something in this: but Byron seems to me less genuine even on this showing.

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