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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 504 — Chapter I · WORDSWORTH AND COLERIDGE: THEIR COMPANIONS AND ADVERSARIES. (continued 2)

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The end-note of this piece coincides curiously with a remark once made to me by a person unusually well acquainted with France but, I feel sure, quite unaware that he was echoing Hazlitt. “The Frenchman has a certain routine of phrases into which his ideas run habitually as into a mould; and you cannot get him out of them.”

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