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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 178 — Chapter IV · DIDEROT AND THE FRENCH TRANSITION.

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In the Nouvelle Héloise. The omission (perhaps due to a juvenile unwillingness to acknowledge her idol indebted to anybody) is the more striking because we know, and could have been sure if we did not know, that she was early acquainted with, and enthralled by, the English master.

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