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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 91 — Chapter II · THE RALLY OF GERMANY—LESSING.

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As in his smartness (p. 12, ed. cit.) on the phrase (which he misattributes, but this is nothing), “Ihro Majestät Glanzen wie ein Karfunkel am Finger der Jetzigen Zeit.” “Peut-on,” asks this other Majesty with fine irony, “rien de plus mauvais? Pourquoi une escarboucle? Est-ce que le temps a un doigt? Quand on le représente, on le peint avec des ailes, parcequ’il s’envole sans cesse, avec un clepsydre parceque les heures le divisent, et on arme son bras d’un faulx pour désigner qu’il fauche ou détruit tout ce qui existe.” The question as to the carbuncle is, of course, an example of pure ignorance, as is the general objection to the consecrated phrase and figure of the “finger of time” and its ring. But “arms” generally have “fingers,” unless these are cut off; and how, Ihro Majestät, does Time work his scythe without them?

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