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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 31 — Chapter II · THE RALLY OF GERMANY—LESSING.

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Antonio Conti (1677-1749) is called author of that Paragone which in vol. ii. p. 554 sup. I called “anonymous,” because Gottsched gave no author for it, and which was an offshoot of this correspondence in 1728-29. Conti was acquainted with Leibnitz and Newton, spent a long time both in England and in France, wrote tragedies and other things, which are imperfectly collected in his Prose e Poesie, Venice, vol. i., 1739; vol. ii. (posthumous), 1756. Professors D’Ancona and Bucci (Manuale della Litt. Ital., Firenze, 1897, iv. 379) speak highly of him. The passage which they give from him on Dante and Petrarch is respectable and erudite, but gives no very high idea of his critical powers. Milton sticks to history and tradition, but Dante does all “out of his own head.” Petrarch has in his poetry not only the sacred and the venerable, but the graceful and the delicate, &c., &c. For more on him and on König see note at end of chapter.

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