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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism

Note 1155 — APPENDICES

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On some minor defects it is not worth while to dwell. Lowell could see that Guest had no ear for verse: yet he was all his life long as impatient as Guest himself of that duly transferred and adapted “classical” system of English prosody which could be easily shown to justify almost all the things he himself liked, and to explain the badness of those which he thought bad. He began this impatience quite early with Poe in the Fable for Critics; and he never shook it off.

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