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A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3)

Note 719 — Chapter III · CLASSICISM IN THE OTHER NATIONS.

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Du Bos, a little later, with the apolausticism of the French eighteenth century, says bluntly (op. cit. sup., i. 275) that “the best poem is that which interests most,” and that “one hardly ever opens a poem for the sake of instruction.”

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