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A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3)

Note 628 — Chapter I · FROM ADDISON TO JOHNSON. (continued 2)

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Let it be noted, however, that in Johnson, as in most strong men, there were certain leanings to the other side, certain evidences of the “identity of contradictories.” His sense of mystery, his religiosity, his strong passions, his tendency to violence in taste and opinions—were all rather Romantic than Classical.

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