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A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3)

Note 490 — Chapter IV · DRYDEN AND HIS CONTEMPORARIES.

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Lest the last note should lead any one to think that I wish to make inept and ignoble game of Davenant, let me observe that he can write admirable things, worthy a son, in double sense, of Oxford. Could anything be happier than this of Spenser: “His noble and most artful hands”? The mere selection of the epithets is good, the combination of them famously so.

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