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A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3)

Note 479 — Chapter III · GERMAN AND DUTCH CRITICISM.

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Our whole history has shown us the obsession of the pius poeta, the vir bonus; but I think the uncompromising submission to it of the later seventeenth and eighteenth century is as much due to the influence of Voss as to that of any single mediate person.

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