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A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3)

Note 428 — Chapter II · THE ITALIAN DECADENCE AND THE SPANIARDS.

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This was written before M. Morel-Fatio had expressed the same view in his Les Défenseurs de la Comedia (Bulletin Hispanique, ubi cit. inf.) See also on the point Mr Ker’s Essays of Dryden, i. lxvi, and the references in his index to Dryden’s mention of Spanish plays. Of course the main interest of the matter lies in the much stronger resemblances that exist between the great English and Spanish dramas than between any other two national branches of the European theatre.

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