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A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3)

Note 327 — Chapter I · FROM MALHERBE TO BOILEAU.

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Let me, for one has always to guard these things, observe that no charge is here brought against the Agamemnon, which is perhaps the greatest tragedy in the world out of Shakespeare, and almost worthy to be ranked with Shakespeare’s best. It is of the folly of the commentators that Corneille was, and that I (quam longo intervallo post Cornelium!) am thinking.

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