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A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3)

Note 375 — Chapter I · FROM MALHERBE TO BOILEAU. (continued 2)

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Even his admirers admit his strange ignoring of the fact that Madeleine de Scudéry intended her personages to be modern—that they were mere disguises of Condé and others, not attempts to re-create antiquity. This of course does not exempt them from blame; but it requires a different sort of blame.

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