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A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3)

Note 146 — Chapter III · SCALIGER, CASTELVETRO, AND THE LATER ITALIAN CRITICS OF THE SIXTEENTH CENTURY.

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In Venetia, 1580. Why has Time, in the title-page woodcut of this, an hour-glass as head-dress, but a scourge instead of a scythe in his hand?

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