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A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3)

Note 123 — Chapter III · SCALIGER, CASTELVETRO, AND THE LATER ITALIAN CRITICS OF THE SIXTEENTH CENTURY.

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For instance, my attention was drawn by Mr Ker to the fact that the description of the subject of the third original Discorso given at the end of the second (f. 24 original ed. vol. i. p. 48, Guasti) does not in the least fit the actual contents, while the missing matter is duly supplied in the later book (i. 162 sq., Guasti).

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