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A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3)

Note 7 — Chapter I · INTRODUCTORY—ERASMUS.

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Spingarn, op. cit., p. 2. On the previous page there is the equally surprising statement that in the Middle Ages “Poetry was disregarded or contemned, or was valued, if at all, for qualities that least belong to it.” What were these “qualities”?

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