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A History of Art in Ancient Egypt, Vol. 2 (of 2)

Note 292 — Chapter III · (continued 2)

Walter Armstrong translation

For other conventional methods, of a similar though even more remarkable kind but of less frequent occurrence, see Wilkinson, Manners and Customs, etc., vol. ii. p. 295. The same ruling idea is found in those groups in the funerary bas-reliefs, which show husband and wife together. The wife's arm, which is passed round the body of the husband, is absurdly long (Lepsius, Denkmæler, part 11, plates 13, 15, 91, 105, etc.; and our Figs. 164 and 165, Vol. I.). This is because the sculptor wished to preserve the loving gesture in question without giving up the full view of both bodies to which his notions committed him. One could not be allowed to cover any part of the other, they could not even be brought too closely together. They were placed, therefore, at such a distance apart that the hand which appears round the husband's body is too far from the shoulder with which it is supposed to be connected.

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