Note 278 — AGAMEMNON

The song of Linos, originally the dirge with which men mourned for the death of Linos, the minstrel-son of Apollo and Urania, brother of Orpheus, who was slain by Heracles—a type, like Thammuz and Adonis, of life prematurely closed and bright hopes never to be fulfilled,—had come to be the representative of all songs of mourning. So Hesiod (in Eustath. on Hom. Il., vii. 569) speaks of the name, as applied to all funeral dirges over poets and minstrels. So Herodotos (ii. 79) compares it, as the type of this kind of music among the Greeks, with what he found in Egypt connected with the name of Maneros, the only son of the first king of Egypt, who died in the bloom of youth. The name had, therefore, as definite a connotation for a Greek audience as the words Miserere or Jubilate would have for us, and ought not, I believe, to disappear from the translation.